In the past five years or so, I've re-read most of Ernest
Hemingway's major work, and I'm very sorry to say (especially in print!) that I
don't think it's standing the test of time very well. Of course I'm aware that artists, musicians,
and writers, great ones, go in and out of fashion: a hundred years ago some
museums had their Rembrandts stored in the basement. In his own children's
time, or shortly thereafter, Bach all but disappeared from the classical
repertory; and now certain so-called "great" writers are being
re-evaluated. Fitzgerald, for example,
did not receive great recognition in his own time. Now "Gatsby" at
any rate is up there with the best of them.
I'm one of those who, in the 50's, grew up under the
spell of Hemingway's style and tried for much of my limited writing career to
emulate him. Of course I was never a
Hemingway man: I didn't hunt or fish or run with the bulls in Pamplona or go on
African safari, but I suppose I bought into the Hem legend of being (or wanting
to be) a "Hemingway Man." The
Hem Man lived fast and loose, attracted both women and men, wrote with disciplinary
precision, and, perhaps most important, faced danger and death heroically and
stoically. Hemingway did all or most of
these things, except tragically he did not die young. It seems the one thing he could NOT face was
old-age disability and psychic and physical impotence. If he had died in war or been gored by a bull
or torn apart by an African lion, his death would have doubtless been
considered heroic. Instead, he put a
shotgun in his mouth and killed himself.
Nonetheless, he won the Nobel Prize in Literature in the
50's, principally for his then-considered powerful style and his late novella,
"The Old Man and the Sea."
Neither of these is greatly admired today. Hemingway's machismo persona comes across as
rather comical, and his lean, journalistic style has been so often imitated and
parodied that today it seems clichéd.
What is left?
Maybe "A Moveable Feast," Hemingway's recollections of Paris
in the 20's, which I do remember reading fairly recently with great
respect. As to the three great novels,
"The Sun Also Rises," "A Farewell to Arms," and "For
Whom the Bell Tolls," I leave it for future generations to decide. Hard to believe that his earliest work is now
approaching its 100th anniversary!
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