The
publication of a new and substantive biography of Leonardo da Vinci by Walter
Isaacson has coincided with the sale at Christie's Auction House this week of
the only Leonardo still in a private collection for $450 million--yes, that's
$450 million--the highest price ever paid for a painting at auction.
The painting is "Salvator Mundi," (Fig. 83 in the book), a
painting of Christ as Savior of the World. Its authenticity has been
questioned by some experts, but the fact is that, as far as we know, there are
only fifteen known Leonardo paintings in the world and this is the only one not
in a museum. So it's not so much a question of Leonardo being the
greatest painter of all time as it is the rarity of his artistic work.
Leonardo was a universal genius, so far ahead of his time that painting
was, for him, almost an incidental skill.
Isaacson's
biography, therefore, concentrates not just on Leonardo's art, but on the
complexity of his mind and the fields of endeavor that he explored, especially
in science and anatomy. In fact, in virtually all his biographies (he is a professor
of history at Tulane University) Isaacson's principal area of interest is the
nature of genius--hence his books on such widely diverse men as Albert
Einstein, Benjamin Franklin, and Steve Jobs. Although his subject matter
is heavy, Isaacson's approach to his subject is essentially light--a kind of
populist biography, if you will. I'm not suggesting that it reads like a
novel, yet it certainly is true that Leonardo's life and times were anything
but dull, and so Isaacson presents them.
This
is one heavy book, and I mean that quite literally. At 524 pages with
high quality paper and superb illustrations, it will not rest
comfortably in your lap or be held in your hands--so look for something stable
to rest it on. There are 33 chapters, many complete in themselves, and
even if you choose not to read the text, flip through the book and look at the
illustrations. They are indeed a wonder. Not for everybody, but
surely not for those only interested in art, either!
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