Wallace Stegner is not a familiar name in 20th century
literary annals, though he probably should be. He is part of that second-tier
group of mid-century writers that included William Styron, John Updike, and
others, who were highly respected for their craft, but who did not make it into
the top literary critical echelon. Were
they good? You bet—maybe at times better
than the critical darlings like Fitzgerald, Hemingway, and Faulkner. Stegner was a mid-westerner, who ultimately
settled in California, where he taught creative writing for a good many years,
producing writer/students like our own Larry McMurtry. His last two novels, this one, and his last, Angle of Repose, which won the Pulitzer, are considered his best, although
there is a respectable body of work before that.
Crossing to Safety touched a particular chord in
me. The principal characters are two
couples, Sid and Charity and Larry and Sally, couples who meet in the 30’s,
both men striving for position and tenure in a small New England college, where
they form an enduring friendship. This academic scene took me immediately back to my first
four years of teaching English at Southern Methodist, fraught with all the same
positives and negatives, especially those of a would-be creative writer,
striving for recognition in a field, English, that normally came from
publishing critical essays, not poems or stories or novels. Larry, who tells this story, becomes a
successful novelist, as he watches his conflicted colleague, Sid, a “wannabe”
poet, being pushed into Traditional Academia by his ambitious wife, Charity,
the central focus of this novel, even though her female foil, Sally, seems to
have a much more momentous problem in her lifelong struggle with polio.
Charity, who seems to have few problems, is the focus of
this novel, and we all know her type, indeed we may be her type, live with her
type, or struggle with friends of her type.
She is the Classic Control Freak, who must, simply MUST, manage everyone’s
life to the nth degree. To compound the
frustration of dealing with her, she is also smart, loving and generous to a
fault. Stegner beautifully traces the relationship of these four
to its final conclusion. Though this
book is short on plot and long on the subtlety of its character relationships,
it is beautifully written in the kind of prose one seldom finds anymore and
substantive in its praise of enduring friendship, the thing, as Robert Frost
is quoted from, that “I have crossed to safety with” and “what I would not part
with” that “I have kept.”
No comments:
Post a Comment