This version begins with a kind of prologue to where the
tale usually begins. Rather than
confronting Cinderella in rags by the kitchen fireplace, the audience learns
the back story of her birth and childhood, a sublime upbringing from infancy in
the arms and safety of a doting mother and father. Of course harsh reality intrudes when
Cinderella's mother dies, her father re-marries a greedy, selfish and social
climbing widow with two goofy daughters, and subsequently dies abroad, leaving
Cinderella at the mercy of her adopted family.
In this version her only true friends are the birds and
beasts of the farmyard and the woods, including some adorable mice who live in
the house, eat crumbs and cheese and keep Cinderella company. (Yes these are Disney computerized mice, who
just may be the best actors in the show, along with a white duck, who rivals
TV's Aflac!). But when Cinderella saves
a stag in the woods and meets a dreamy Prince, her life is changed forever.
Of course you know the rest of the story, which is told
in the most lush and extravagantly beautiful terms ever, especially the magical
special effects created to transform the pumpkin, etc. into a golden coach and
four. Its disintegration, along with its
horses, driver, and footmen, at the stroke of midnight, displays a brilliant
sense of comic and visual timing. And
perhaps the most heartwarming theme reiterated throughout is not the
traditional message that "they all lived happily ever after," but the
advice proclaimed throughout the story: "Be kind and have courage,"
and hopefully all will turn out all right!
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